Guest blogger: Penny Morrison blogs on some of the things covered in Meredith's workshop....
I gathered with 19 other overtired and over-excited writers
in The Hughenden's restaurant. We were going to learn the craft from Meredith Costain! Woo
hoo! Would Meredith be able to manage such an unruly group? Would she need to
resort to snapping stainless steel tongs to keep us under control?
What
makes a successful picture book?
-
It needs to resonate emotionally – have
heart
-
It might tell an important story, leaving
the reader to find meaning in it
-
And beg to be read over and over again
Range
and Scope
-
Is huge!
-
Baby/toddler books – board books, concept
books, simple stories
-
Beginner readers, older readers
o
E.g. Fox by Margaret Wild.
This
is about betrayal, trust and loyalty. Meredith can’t read this one without
crying.
-
Non-Fiction
o
E.g. My Life in the Wild – Otter by
Meredith Costain.
Although
this is non-fiction, it has a plot. It also has facts at the end.
-
Themes and Styles
o
E.g. Mummy Laid an Egg by Babette Cole
Guess
what it’s about ... are you guessing? ... sex! (yes, really)
-
Different treatments of the same topic
-
And more, more, more
We got into groups to chat about picture books which we
think work well. Many books were mentioned which I haven’t seen. A few which I
will look out for are:
-
The Wolf by Margaret Barbalet and Jane
Tanner (about facing fear)
-
The Red Tree by Shaun Tan
-
The Giving Tree by Shel Silverstein
Themes
A picture book needs One Strong Idea
-
No subplot (but it may have subtext)
o
e.g. Totty’s Potty by Meredith Costain and
Marjory Gardner
Meredith
chose just one aspect of potty training (and it had to be a teddy bear because
the illustrations could NOT show a child on the potty)
Themes
for younger readers often reflect a child’s world - here are some of the list Meredith mentioned....
-
Family and friends
-
Animals
-
Colours and shapes
- Stages of development – independence, toilet
training
-
Monsters
-
Overcoming something – shyness, bullies,
fear
Getting
Ideas
-
They might *POP* into your head
-
Might come from hearing children’s
conversation
-
Or watching children’s behaviour
1.
Your own childhood memories
2.
Start with a concept and brainstorm
We had some fun with brainstorming concepts in our
groups.
Characters
in picture books
o
Musical Harriet by Meredith Costain and
Craig Smith
This
story incubated for 3 months after Meredith heard about a yr 3 girl who wanted
to play the trombone, but needed longer arms. She separately heard a musician
talking about needing a ‘serious black dress’. By the time Meredith sat down to
write the story, she knew the character so well that Harriet wrote the book for
her.
Create
a Memorable Character
-
Name
o
E.g. character destroyed countries by
scratching them off his desk map - Adam Carter
-
Human? Animal?
-
Age
-
3 physical characteristics
-
3 strengths
-
3 weaknesses
-
Something he/she really wants
Our groups had so much fun that Meredith needed to
bring out those stainless steel tongs to get our attention again – snap snap.
But we invented characters – Whingeing Wendy, Benton Armstrong, Lexie the Horse,
Vian Tian and Alfie the blue big-voiced
big-eared boy.
Structure
-
Beginning, middle and SATISFYING end.
-
Most importantly, it must have a problem.
Otherwise, it will be an unsatisfying series of events
Story
Plan
-
Character
-
What does your character really want?
-
A problem: What stops them from getting
what they really want?
-
2 attempts
-
Solution
-
How does the resolution affect the
character?
Our groups planned out stories for our characters.
Meredith was so impressed with us (despite needing to SNAP SNAP SNAP those
tongs) that she now expects 5 book launches at the next conference.
Language
-
Match style with the mood, content and
audience
-
Use playful language – alliteration,
assonance, imagery
o
Doodledum dancing by Meredith Costain
Poems
‘Our New Puppy’ and ‘Dinosaur Swamp Stomp’. At the next conference, I’d like a
3 hour workshop from Meredith just about language in picture books. (Please
Susanne, pleeeeeeease)
-
Use the 5 senses
-
Use strong verbs rather than adverbs and
adjectives
At this point Meredith
whispered in author/actress Deb Abela’s ear. Deb then left the room and we
watched as she crept back in. Far be it from any of us to say that Deb walked
shyly, nervously or quietly. Again Deb left and this time she huffed back into
the room. Or maybe she stomped, or elephanted. She most certainly did not walk angrily,
loudly or with any adverb which might be tempting you.
-
Rhyme – there are reasons for and against
Finally, Meredith showed
us examples of the process with some of her picture books – Bedtails and
Musical Harriet. Beginning with scribbled ideas, early drafts, discarded
phrases, lists of possible names, through to final text and illustrator’s
sketches.
There was no need for tong snapping – we were fascinated to see
Meredith’s approach and her thought process. To me, this was the highlight of
the masterclass – seeing how Meredith works and getting to know her.
Reminder: all images and information contained on this blog site remain the property of the creators.
Creating Picture Books with Meredith Costain was a great Masterclass. I learnt and laughed lots! Well done Penny you have summed up the session really well.
ReplyDeleteI am so grateful for this blog. Missed out on attending this time and I've been stalking the blog for the past couple of weeks.It's been a wonderful resource!
ReplyDelete